Showing posts with label Moodboard. Show all posts
Showing posts with label Moodboard. Show all posts

Saturday, 10 May 2014

Going Live - Character Designs

As the overall style of the film had been decided, which was based around the Hobbit map, the characters were also going to be in the paper-style. This gave me an idea to make an origami model of the main character - the dragon. This is a gold paper origami dragon I made to help with reference for paper textures and possible shapes for the 3D model. It provided some good reference for the way paper looks and the intricate details:

I also produced character concept sketches for the Eagle and the Dragon, which I then took into Photoshop to test some paper textures and colours...

Parchment colours:

The Eagle on the left I made darker and had fiery golds shining through (as the Eagle is "corrupted by Morgoth" and goes through flame and sorcery to become a dragon):

Light parchment colours, was experimenting with how to make them look similar, as the Dragon morphs from the Eagle:

Experimented with adding flecks of foil gold to the paper texture as this is Smaug The Golden:

Tried a slightly cooler hue as I wondered if the paper Dragon might blend into the parchment-like map background too much in the film, depending on the final look of the background environment:

Turned up the contrast to experiment with the foil gold texture, kind of looks like fire on the surface of the dragon now:

Looking through everything that was being worked on I realized that not very much had been done for the 'Tree-Hand' which entraps the eagle, so I've gathered some research into moodboards and created some artwork concepts.

Tree-Hand Moodboard:

Origami/Paper Trees Moodboard:

Concept Artwork:
I quite liked the idea of the 1st one I drew (top left) of the roots looking like a second hand clawing at the ground - this part wouldn't need animated though, just the main hand part of the branches. With two hands this adds a slightly more human quality, as if Morgoth himself is clawing his way up through the ground. Also the branches and roots look quite contorted which add a sinister and creepy feeling to the tree.
I also tried out a tree with the fingers/branches more closed inwards and claw-like (middle bottom).
Added a few leaves to the tree (middle top) which could be shaken or dropped off when the tree becomes more alive - as if the hand was in disguise.
Also drew a more simplified and origami design for a tree (right) which could be the surrounding trees.

Going Live - Research and Moodboards

On 16th January 2014 our class was given the brief for the Going Live project by Axis Animation/VFX. The brief was to create an animated piece that tells the back story of a character or race in The Hobbit. It had to be visually striking but keep in with the values of the feature films.

After the first group meeting once the brief had been handed out, we already had some ideas for the story. One of the first steps I took was to do some initial research into the subject area of Tolkien to immerse myself into that world. This included web-based research, I found the website Pinterest to be a great way of collecting visual research:

Research also included looking through relevant books such as:

Once initial research was done, I collated what I had found into specific and relevant Moodboards that could be used by the group for ideas, inspiration and reference going into the designing stage of production:

Hobbit Imagery:
Link to 'Hobbit' Pinterest Board

Paper Dragons:
Link to 'Paper Dragons' Pinterest Board

Eagles and Dragons:
Link to 'Eagles and Dragons' Pinterest Board

Illustrated Maps and Landscapes:
Link to 'Illustrated Maps and Landscapes' Pinterest Boards

Fire and Smoke:
Link to 'Fire and Smoke' Pinterest Board

These Moodboards I then added to the main project board in the studio, which was also starting to be filled up with rough storyboards and other moodboards, which different members of the team have contributed to:

Tuesday, 4 February 2014

Supervisor Meeting - Tuesday 4th February 2014

Talked through the storyboards that each member of the team contributed to.

George drew panels: 1-7, 25-27, 37-38, 54-60
I drew panels: 8-24, 39, 53
Sheng drew panels: 28-36
Kirti drew panels: 40-52

Myself and George arranged the storyboards in a storyboarding program called 'Shotbox', I then added descriptions to all the panels:










I then put the panels together into a roughly timed animatic:

Some ideas that were discussed and generated from the meeting included:

  • Do we need the INT. environment? The human could be outside in the garden as well, gardening, hanging out washing, raking leaves. First this would save us time having to model, texture and light another environment, and it might also make the scenes more funny, because the human is also in the garden but is completely oblivious to what is going on.
  • During the 'tug-of-war' scene, the humorous situation of this could be heightened by having the small bird pulling the dog along the ground/through the air (Bird appears unusually strong - could show how much it wants the biscuit)
  • Zooming out at the end to leave on a similar shot that the storyboard began with at the beginning could round off the film nicely.


I've also typed up the script (yes the girl's name is 'Lily', I did not initiate this decision! :p Decided to differentiate this character from myself by spelling it differently from my own to avoid confusion):

Tug of Biscuit

03/02/2014

Director and Script Writer: Lilly Durrant


EXT. House and Back-Garden – (DAYTIME – AUTUMN/WINTER)

A young dog, named PIP, plays in the Garden and runs towards the back door of the house.

INT. Kitchen – (DAYTIME)

A young woman, LILY, is doing chores in the kitchen. Pip comes in through the door; Lily greets Pip,


1.                                            LILY
“Biscuit?”

She then throws a BISCUIT out into the garden for Pip.

EXT. Back-Garden – (DAYTIME)

SFX sounds of kids playing in neighbour’s garden. Dog approaches biscuit, sniffs it and then opens mouth to eat it.

SFX loud kick sound! A BALL flies over the fence and past the dog, immediately grabbing Pip’s attention. Pip excitedly runs out of shot after the ball.

A BIRD swoops down, picks up the biscuit, and takes off with it.

Pip happily pads back into shot with the football in his mouth. He looks down at where the biscuit was and is shocked and confused to find it is gone! Pip looks around the ground and then looks up. Pip spots and focuses on something O/S and looks angry.

Camera zooms out to show the bird sitting on the fence with the biscuit. It then swallows the biscuit, which upsets the dog, and then flies away. The ball pops and deflates in the dog’s mouth.

INT. Kitchen – (DAYTIME)

Pip begs Lily for another biscuit; she throws one outside for him and gets back to work.

EXT. Back-Garden – (DAYTIME)

Dog runs up to biscuit and looks around suspiciously for the bird. Thinking maybe it’s best to save and hide the biscuit, Dog begins to dig a hole for it.

Meanwhile the Bird swoops down and creeps towards the biscuit.

Pip is alerted to a sound and turns around to see the Bird with his biscuit in its mouth. Bird then engulfs it whole and takes off, leaving a stunned Dog.

INT. Kitchen – (DAYTIME)

Pip begs Lily desperately for another biscuit.


2.                                            LILY
“Last one, ok?”

She throws a biscuit outside for him and gets back to washing dishes at the window, which has a view of the garden.

EXT. Back-Garden – (DAYTIME)

Dog runs towards biscuit and then stops. Camera pans up to reveal the bird standing opposite. The biscuit lies on the ground, at equal distance between the two. It’s a standoff.

C/U of the dog and bird, both look angry and determined; each glance between the other and the biscuit.

Both then suddenly race towards each other and the biscuit. Camera cuts just before they collide.

INT. Kitchen – (DAYTIME)

Lily is busy washing dishes. The view from the window shows Pip and Bird in a tug of war with the biscuit. Lily looks nonchalantly up, then back to the dishes, then double takes back to the chaos outside.

3.                                            LILY
Exclamation of Surprise!

Lily throws down what she was washing and runs O/S. Still looking through the window at the sink, Lily can be seen running towards Pip and the Bird, arms flailing and shooing.

4.                                            LILY
(Sound is muffled, as camera/audience still in Kitchen)
“Stoppp! Shoo! Shoo!”

EXT. Back-Garden – (DAYTIME)

As the Bird flies off past the camera, Lily picks Pip up along with the biscuit. She looks at the biscuit, and then O/S.

Bird is sitting on the fence looking very sad; its little stomach wobbles as it grumbles.

Lily looks back at dog and biscuit, an expression of realization crosses her face. She looks thoughtful and then has an idea.

SFX of DIY and building with a montage of C/U’s.

Pip watches with anticipation as Lily finishes constructing something. Camera dollies out to reveal a new BIRD HOUSE/FEEDER. Bird flies to it and looks joyous!

Bird happily munches on the bird feed as the Dog finally munches away on his biscuit.


THE END

The script is currently 2.5 pages long, meaning our film is roughly 2-3 minutes long, so a lot of editing is required. Ideally the animatic needs to be edited to under 2 minutes.

Lastly we went over some Moodboards, these are the ones I put together, wanted to find examples of simple 3D designs, followed by 2D and more illustrative designs:


I've started putting some reference boards together on Pinterest,

There are still designs, styles and colours to finalize. Originally we thought of having a 2D background with 3D characters, the more this project is developing the more inclined we have been to go for a 3D background instead. It will probably be a lot less trouble for us, not having to try and convincingly composite a 3D character into a 2D world.

We also discussed what everyone is working on at the moment and what we should be working on next. I will continue Directing and overseeing the whole project, including the designs, and I will be updating the storyboard and 2D animatic. Sourcing some free 3D rigs to use in the 3D animatic and creating the 3D animatic; this will aid background designs, give an idea of camera moves, and allow me to start animation tests.

For our next Supervisor Meeting in 3 weeks time:
  • Have a new updated 2D animatic (fix storyboard)
  • A 3D animatic (used with simple models and free rigs, having a 3D animatic will help with what backgrounds we need to help influence those designs)
  • Background and character designs - start modelling a character